EscapeVektor

Metacritic Game Reviews, escapeVektor for 3DS, Vektor has been trapped inside the CPU for what feels like an eternity and you are his only. Dec 20, 2012  escapeVektor System: Nintendo 3DS Release date:. Vektor has been trapped inside the CPU for what feels like an eternity and you are his only hope of escape! As he travels through the CPU, help him recover his memories and destroy the different enemy types sent to hunt him. But be careful – the further Vektor gets, the more devious.

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I am racing on an 360 pad with full traction control and auto gearing.Overall, the car feels fantastic but you have to be early on the brakes due to the bias. Anyone else having this issue? The balast change made me nervous but the infamous left-hander into turn 10 was like silk - the setup was clearly made for that infamous corner.One problem though: MASSIVE INSTABILITY THROUGH TURN 13: Lifting, braking in, or staying flat, the car was completely unstable and wanted to spin to the right.I don't know if the traction control was the issue, or if the setup expects me to take the corner in a lower gear for more torque. Just tried the Bahrain setup in my 2nd season of Williams career mode.

Manipulating a node (the game's term for individual levels) involves traveling along white lines, with the goal of highlighting the entire grid using your arrow-shaped vessel. Completing regions of the grid will gradually lead to increased boost power, and if you build up enough energy from your connected actions you can trigger early detonations that prove useful when cornered by two enemies. This is where one of the game's early, founding elements takes shape - through an attached risk/reward principle.

An exit zone will appear once the entire layout has been marked off. On occasion, an additional expansion will suddenly appear as if a curtain were being pulled back, ultimately leading to a second exit point. In truth, the mechanics are simpler than I've probably made them sound, but if you get the nagging feeling there's some complexity to the surface system, then you're absolutely correct. Before getting into that, however, it would be good to address a key point regarding the physical setup. Rather than having your view of the space stop at the dividing line between the system's two screens or having the Touch Screen function as a toolbar of sorts, both the top and bottom screens are used to iterate gameplay. This display choice at first causes you to adjust your viewpoint a little when exploring more stretched-out layouts, but being able to zoom out with the R Button means having a greater grasp on your surroundings in spite of the limiting nature that the feed would seem to suggest otherwise. Dynamic camera movements also play a considerable role in this, though the 3D isn't as effective as might be hoped for.

Forming a border around the lower screen are square bits that refer to the clock when engaging timed missions. In normal situations, however, they represent a window for maximum points and an indication of when the enemy forces will amp up their efforts. Throughout the entire game, engaging colour combinations (e.g., orange against a dark blue) are used in connection with the display borders, stage backgrounds and foremost layout material as forms of both contrast and unity. The soundtrack carries a futuristic, digital theme, yet it's portrayed in a way that's inspired by sound effects emitted from classic gaming systems. Both during gameplay and even outside the game, the resulting compositions are unique and uplifting, at times subtly expressing uncertainty in the face of the tension characteristic of the gameplay.

In a certain respect, the openness of the game's design (as far as movement is concerned) transcends to the hub design. Recall earlier when I mentioned that some stages will feature two exits instead of one? Well, trying to explore every possible path will lead you to a wealthy amount of levels, making progression an exciting prospect.

Moreover, new worlds can be accessed earlier on than the path outlined by the standard flow, and in doing so, it feels like they were trying to convey affairs resembling that of a digital highway. While not reaching that feeling to its largest degree, they got most of it down by the wise decisions they made with the flow not being overly regimented, as the inclination might have been to do. As you go about your modest endeavours, Vektor's version number will increase, granting you such upgrades as a larger boost bar, more detonation pips, radius extensions, and so on. In connection with this, examining the rate at which new elements are introduced strongly suggests a positive reinforcement, with gameplay expansions taking place at a perfectly comfortable pace. What I personally adore about the game's style is that it isn't used as an excuse to minimize freedom or lock you in through perhaps logical yet still crushing means. The design is such that it, first of all, provokes engaging pursuits, but also with room to step away from things temporarily in the case of longer levels where there's more at stake. It's a small touch having these expansions follow the initial coverage of a stage, but when you're presented with the gamble, the question is this: Do you keep going as the level expands or conclude your session and cash in your points, avoiding unnecessary risks?

On the subject of threats, there are pod-like enemies that chase after you, others that just follow their own back-and-forth course but pick up speed when you enter their turf, and hunters that can reverse direction by surprise. There's commendable enemy design here, for the primary reason that it makes the game a thrill to play without ever becoming too drastic for the average player to handle with a little patience. Better still, attack patterns are engaging in themselves and don't feel automated in the sense that they're not dull, nor are they robotic to the point that the energy and heart are sapped away. An additional layer of dimension has been added when compared with escapeVektor's debut on WiiWare, and that is the competitive flair the game is rife with.

Devotion to high-score competitions is indeed a strong likelihood, with players not being content being near the bottom of tables against friends or other persons around the world, and even more pressure wisely being leveraged through Wild Cards that can double your point values. With the arcade focus thus reaching full circle, the setup proves addicting the moment you take seriously the records set before you. If you don't have access to the Internet at a later point (perhaps while on the road), you won't be left out. The game will provide a cached version of the last update for you to gauge your performance against. With absolutely no signs of premature letup, escapeVektor is an expertly-designed game with a well-harnessed dynamic that will grip even novice players who don't consider themselves habitual gamers.

It manifests itself with a well-crafted synthesis that exists both on and underneath the surface, motioning players of all sorts without failing to develop under the guise of restraint. Had it not been for the core elements being as purposeful as they are, the game might not have kept to the same level of enticement that it so effectively maintains through its action elements. Whatever minor discomforts that might surface on rare occasions are so easily forgotten that I almost feel silly for even bringing this up. Thanks to a healthy support system, design growth that doesn't complicate to a damaging degree, as well as mechanics so well-honed they are begging for attention, escapeVektor stands alone in many ways, with a proven capability of outlasting while remaining forceful long into the future.